Instead of deleting a stem, group your unused stems and mute the group, or separate the stems into clips and deactivate sections that you're not using. This way, the stems will still be in your project if you need them, but will be out of the way until you do. The way you decide to go about remixing a song is entirely subjective. The more you can take the listener out of the world of the old track and into yours, the more yours will stand out.
This can be done with any musical choices you see fit, and your ability to do this is only limited by your imagination. One option is to use only the vocal and create an otherwise entirely new track.
As mentioned before, the vocal is the most characteristic element of most songs, so a remix built around the vocal will both reference the original and give you the most room to express yourself. Another way to set your remix apart is to use elements from the original in new ways or a new context. In this scenario, the way you frame the original elements is your artistic expression.
For example, a support instrument from the original track can be repurposed to have a more prominent role. The tempo is sped up, but Oliver Heldens keeps the clean electric guitar from the original. With the claps and low synth added, the guitar serves a new role here. This obviously references the original track the least, but can be a strong demonstration of your creativity. In the case of an official remix, this route could be positive or negative.
The original artist or label will probably want the remix to sound related to the original, but doing this can also set your remix apart from other remixes that may sound overly related to the original. With all of these points in mind, you should easily be on your way to making remixes in no time. Are you interested in evaluating new features and helping to develop iZotope software products? The beat is the basis of rhythm and momentum in contemporary music.
There are many ways music producers can use RX to save time on long-winded tasks and to clean audio. Here are six! Learn how to mix vocals from start to finish with a walkthrough of the editing and mixing stages of vocal production, using new production plug-ins included in Music Production Suite 3. Get top stories of the week and special discount offers right in your inbox. You can unsubscribe at any time. Repair and restore your audio:. Learn More. Shop Deals. Shop Remix Deals. Never Miss an Article!
Jump to a section: How do I set up a song for remixing? How can I create isolated vocals? What are the benefits of remixing? What to leave, what to change? How do I make my remix stand out?
How do I set up a song for remixing? No problem, you can easily create your own. Music Rebalance. Learn More About RX 9. Isolate a vocal with phase cancellation The next method involves the idea of phase cancellation, which we briefly cover here. Phase Cancel. That's cool! We get it : You can support us by sharing this story or following us on Facebook. The pros and cons, the problems and advantages, the benefits and shortfalls. Remixing has a rich and interesting history, tracing back to at least the s.
It was then adopted within the disco era, particularly Tom Moulton, known for taking tunes and adapting them into readymade dancefloor hits. People like Grandmaster Flash were integral in bringing the form to the then-new genre of hip hop, while Madonna was notable for increasingly plugging dance remixes of her pop songs.
Now more than ever, remixes are popping up as often as original tunes. In short, pretty often. One excellent advantage of remixes is that it allows upcoming producers to play around with pre-existing tracks, learn about how beats and rhythms are put together without having to start from scratch.
That would be ridiculous. Add your own sounds. This is where you stamp the track with your contribution. This can range from changing the feel, by adding new rhythm tracks, to total destruction. Remember to pay attention to copyright laws in your area if you plan on selling or performing your music live. Unauthorized use of an author's tracks can get you in trouble with the law. Think about what sections you like best——what would you keep intact, and what will you change?
If necessary, listen to the track a few more times to help refine your vision for the final remix. Dissect the track. To make the remix job easier, you want to isolate not just the melodic elements, but the rhythmic elements as well.
These apps make it easy to cut loops. Cutting loops is a fairly simple process. First, listen to your file, and identify the sections you'd like to cut. Then, select the phrase you'd like in your audio editing software, making sure to grab complete measures. A way to test your cut is to loop playback on the selection. If it sounds jumpy at the loop point, you may be selecting too much, or too little. If your software lets you play your loop and adjust the endpoints at the same time, start playback on the loop, and adjust the beginning first—make sure it's starting exactly where you want it to start.
Once that's set, go to the end of the loop, and make small changes in the loop length until the sounds seamless, natural, and most importantly, in-tempo. Watch out for loops that include reverb tails or cymbal crashes, since these will often extend past the end of a phrase. Conversely, chopping a reverberation like that can be a really interesting effect. Making sure your loops are cut precisely will make tempo correction within your looping software more accurate.
In programs like Sonar and Acid, which use nearly the same correction methods, this is imperative. Time correction is achieved by either specifying the BPM of the loop often detected automatically , or by inserting markers in the loop inspection window, to indicate where each beat falls. All of this will accomplish the same result as cutting and looping, while still preserving the original file. You can also take this time to do some processing on your loops.
If you only have the full mixdown, you can bring out vocals or individual instruments somewhat with EQ. Keep in mind that there is no way to completely isolate a single instrument or voice after a mixdown. For example, you can lighten up the lower register kick, toms and bass lines by rolling off the low end.
This will keep things from getting muddy, if you use the vocals from that loop over a new bassline, or new drums. For example a boost at khz will brighten a sound up a lot more whereas increasing a frequency in the low range will bring out more of a muddy, bass mix. There are plenty of things to choose from, including delay, phaser, chorus, flanger, filters and other EQ, reverb, amplitude modulation, ring modulation, frequency modulation, time stretching, pitch shifting or correction, vocoder and more.
Playing around with these styles will help you figure out what you like, as well as training your ear a bit. Always remember that an under produced track is always better than an overproduced one, make it simple but have fun. Reconstruct the track. Next, import your loops. Once they are imported and time corrected, you should be able to choose any tempo you like, with very little loss of quality. Now you can start to reconstruct the track. A safe and easy way would be to follow the form of the original intro, verse, chorus, verse, bridge, and chorus but you can also completely change it and make it your own.
You can layer the vocals from the verse over a portion of the chorus. You can take a verse as-is, cut individual measure of vocals, and superimpose them reversed. You can reharmonize the vocal or lead lines by introducing completely different elements.
Have fun, and experiment! Export your creation mastering. When your remix has a start and finish, and you are satisfied with it, you should export. This will ensure that your levels at their highest point reach almost the maximum volume.
In addition, you can make your remix seem louder by applying a compressor effect to it before normalizing. While optional, it's recommended to go back and "master" your track. This means applying effects to bring out certain parts of your mix. If you want a harsher bass overall or brighter highs. A good mastering is the difference between a closet recording and a professional studio. Convert the file to MP3, using your favorite MP3 converter.
0コメント